SellUsedMagazines.com
| Bookmark | Cart | About Us | Dispute | Magazines Home | Magazines Signup | News | Articles | RSS |New |Links |Forum |Chat |Fun |Sitemap | 
  Product Search

  Article Search

 Shop by Category
Automobiles
Entertainment
Other

 Shop by Company
Motorsports and More
Retromedia
Sell Used Magazines

 Shop by Keyword
Life
Sports Illustrated
Sport Magazine
Time
Newsweek
Sporting News
ESPN
Car and Driver
Maxim
Blender
Fast Company
Horticulture
CPU
Fine Homebuilding
Acreage
Equus
Foreign Policy
Golf Digest
Military Heritage
Golf Tips
Cosmopolitan
Ellery Queen
Progressive Farmer
Architectural Digest
Artist's
Print
Entrepeneur
CE News
Family Fun
Golf
Movie Review Fallen (1998), Part 1

 Shop by Price Range
$0 to $9.99
$10.00+

  Resources
Magazines Home
Magazines Signup
New Items
Reciprocal Links
Forum
Chat
Fun
Magazine Subscriptions
Used Books
Used Movies
Autographed Celebrity Photos
Postcards, Invitations


Home > Movie Review Fallen (1998), Part 1
We Have Found 2 Products for your search of Movie Review Fallen (1998), Part 1.
Displaying Items 1 - 2:

 Category  
Company  
   Price Range  
Sort by  
Keyword  

  Movie Review Fallen (1998), Part 1  

Movie Review - Fallen (1998), Part 1 by Ugur Akinci

An entertaining genre-blender that combines all the best elements of cop crime solvers with religious super-natural horror flicks.

The opening sequence could've been straight from "The Silence of the Lambs (1991)." Then the film slips into the "Jacob's Ladder (1990)" territory of super-natural horror and wraps it up with an ending worthy of "Omen (1976)".

Despite the freaky opening sequence, the films dives into the first act as a regular police precinct movie complete with the regular stock characters -- the protagonist handsome Det. John Hobbes [Denzel Washington]; his avuncular sidekick Det. Jonesy [John Goodman]; and the cynical shin-kicker Det. Lou [James Gandolfini]; the hard-ass precinct boss Lt. Stanton [Donald Sutherland].

When the demented killer Edgar Reese (played to the nines by a scary Elias Koteas) is put to death in a gas chamber, Det. Hobbes thinks the worst is over, not realizing that his troubles are just beginning.

Here let's put our hands together and applaud the great cinematography by Newton Thomas Sigel since the way he came up with a visual representation of the evil spirit Azazel's point of view is nothing short of genius. It is done so well that at one look we know which character the camera embodies in certain scenes. Without such an effective visual differentiation of the main antagonist's point of view, this movie would have never worked this well, or perhaps not have worked at all.

Hobbes is a cop and rational man. He believes in what he can see and feel and measure. He believes in evidence, not hearsay and myths. But clue after clue tells him that this time, as strange bodies keeps popping up all over the unnamed town [although shot in Philly], he is up against something "different."

The ancient Biblical evil spirit of Azazel is live and well and he changes bodies by just common physical touch. That's why it is almost impossible to nail it down and destroy it. It is the most contagious sickness the world has ever seen. Screenwriter Nicholas Kazan also deserves our kudos for not only coming up with such a clever concept but also creating a pretty well written script.

(To conclude in part 2.)

**************************************** Akinci, Ph.D. is a senior writer and web content consultant with 20 years of experience.

Subscribe to his FREE "Weekly Success Update" newsletter today at http://www.writer111.com

P.S. FREE BONUS "Writing and Marketing Tips" for new subscribers.

About the Author
**************************************************************************





Back to Top
This Site Uses PayPal Shopping Cart
Cheap Electricity - Credit Cards - Mobile Phone - Internet Marketing
Copyright © 2008-2008 SellUsedMagazines.com. All Rights Reserved.
Google, Yahoo!, Live, dmoz 
Links to Site